Music you might easily fall in love with. NO SIR E from Philadelphia makes daring live mixes and productions with the aid of the monome grid. Images courtesy the artist.

Music you might easily fall in love with. NO SIR E from Philadelphia makes daring live mixes and productions with the aid of the monome grid. Images courtesy the artist.

Faptronica? Trapmetal? Glitchfap? Fapdance? Genre labels make a fun muddle of things for Philadelphia’s NO SIR E. But his music is perfect for this time of the Northern Hemisphere’s summer, that feeling of diving out of a sweltering heat into the water. It’s refreshing, with the dirty, muddy bits in the bottom you’d want to stick your toes into. And then it glitches in satisfying distortion, a motorboat or jetski racing across the smoo… I’m sorry. It’s hard to write in the summer.

(Or … well, you can Google what “fap” means, but that’s a bit less … musical in nature. Kids’ slang today; how do you keep up?)

On remixes and productions, the effect is calculated and the chops are sharp, but his music remains improvisatory and organic, not overworked. Dense without being crowded, heavy on the bass, and deeply influenced by hip-hop, this is feel-good music that sounds big. This is perhaps the most vibrant thread in underground American electronic music right now: it’s live, self-produced, employing risky improv on laptops, and mixing diverse, deep, hip-hop-inspired digital sounds.

New Yorkers, you get two chances to hear NO SIR E this month: tonight at The Delancey, then in Brooklyn next week. Terrific lineups, both, so go enjoy some of the best East Coast electronics have to offer.

And beneath all of it is a thorough sense of musicianship. NO SIR E employs the grid of the monome to tap out samples as he plays. His live set this week is a one-take wonder, heavy on Shlohmo, with monomists NO SIR E himself and originator Daedelus, alongside the likes of mr oizo, lorn, and an aching edit of Lana del Ray, a vulnerable, crooning line above massive drums. (It all sounds tragic to me, “When I’m 64” for an increasingly-apocalyptic age.)

NO SIR E at the Los Angeles Monomeet from NO SIR E on Vimeo.

Just over 20 minutes, pedal-to-the-metal the whole time, an epic mix:

how to dress well – & it was u
bear//face – taste my sad
shlohmo – seriously (live)
ashanti – still on it (acapella)
shlohmo – forgot i was here
treasure fingers/daedelus – it’s love
no sir e – call u never
sbtrkt – hold on
t2 feat. jodie – heartbroken
koop – absolute space (jazzanova remix)
mr oizo ft uffie – steroids
ango – true blue
asa – leave the light on (stumbeline remix)
lana del ray – young and beautiful (nosiredit)
shlohmo – out of hand (no sir e footleg)
lol boys – changes (shlohmo remix)
bear//face – bruh bruh
lorn – army of fear
a$ap rocky – long live asap (bear//face remix)

nosire_promo

Listen, too, to gorgeous singles like “Illiterate People,” starting with its cinematic, orchestral swells:

Similarly blending hip-hop with Classical drama and monument is his True Key – Palestrina remix, going on an emotionally-charged journey through the material, rapid-fire percussion crossed with chiming minimal ostinati, like a score to an imagined film:

monome_nosire

For its part, the monome community and devices press on, even amidst the new ubiquity of grids in music hardware. The monome hardware itself hasn’t departed from its classic design. But, importantly, you can actually buy it again:

http://monome.org/devices/

The design doesn’t look dated; instead, its logo-free layout and insistence on absolute minimalism – no color LEDs here, even – looks strikingly restrained. It’s iconic in a way rivals haven’t quite mastered. It is also, though, expensive, owing to local US production and smaller runs, but perhaps that has helped protect its mystique. And this run seems not to have immediately sold out, so if you’ve been saving up for a monome, now’s a good opportunity:

http://monome.org/devices/

Ultimately, though, hardware fetishism or even unique design can’t keep the monome afloat. It’s the passion of the community that uses it that makes it a beloved instrument. They stick together as might devotees of the viola da gamba. And the monome becomes just the tool in a movement that values live-remixed music, sampling and remix as live instrumentalism, even beyond this one interface itself.

That comes across in NO SIR E’s music brilliantly, so let’s listen to more, shall we? For starters…

This upcoming Ellie Goulding remix is simply delicious:

The connection to Flying Lotus is great, though NO SIR E should be added evidence that this scene can go beyond FlyLo – and when NO SIR E remixes FlyLo, wonderful things happen, NO SIR E’s laidback lyricism gently pulling his LA colleague’s work into a different place:

Speaking of vibrant-yet-laidback lyricism, listen as a similar vibe envelops Shlohmo:

Expertly soulful and inventive, NO SIR E’s original tracks hold up just as nicely:

Oh, yeah, and they can get surprisingly experimental and cut-up, for some more out-there syncopations:

And for more insight into artists in this scene, monome have started a terrific interview series with a lot of favorite Friends of CDM – as worth reading for artistic inspiration as anything to do with the hardware itself, really beautiful, thoughtful stuff:
http://monome.org/category/interview/

http://nosire.tumblr.com/
https://twitter.com/nosire
https://vimeo.com/nosire
https://www.facebook.com/nosiremusic

I miss you, Philadelphia, East Coast, hope to see you soon.

27 responses to “Gorgeous Beats from Philly’s NO SIR E, Ode to monome Love [Live Set, Sounds]”

  1. samsam says:

    even with a 16×16 this guy look massive

  2. samsam says:

    even with a 16×16 this guy look massive

  3. samsam says:

    even with a 16×16 this guy look massive

  4. PaulDavisTheFirst says:

    it’s the orchestra swells. or more precisely, the willingness to have some elements running at 1/2 or even 1/4 time relative to the main groove. don’t look any further.

  5. PaulDavisTheFirst says:

    it’s the orchestra swells. or more precisely, the willingness to have some elements running at 1/2 or even 1/4 time relative to the main groove. don’t look any further.

  6. PaulDavisTheFirst says:

    it’s the orchestra swells. or more precisely, the willingness to have some elements running at 1/2 or even 1/4 time relative to the main groove. don’t look any further.

  7. Othership says:

    Awesome article. However, glaring omission – what software? I’m guessing Molar.

  8. Othership says:

    Awesome article. However, glaring omission – what software? I’m guessing Molar.

  9. Othership says:

    Awesome article. However, glaring omission – what software? I’m guessing Molar.

  10. edisonSF says:

    so good…

    such a good dude….

    Othership its mlr

  11. edisonSF says:

    so good…

    such a good dude….

    Othership its mlr

  12. edisonSF says:

    so good…

    such a good dude….

    Othership its mlr

  13. Redoom says:

    He is a pretty big dude. thanks for rockin’ Houston a while ago and I hope you make your way back. Also check out his soundcloud ( I’ve been jamming his mixes all day at work ).

    Fantastic work man!

  14. Redoom says:

    He is a pretty big dude. thanks for rockin’ Houston a while ago and I hope you make your way back. Also check out his soundcloud ( I’ve been jamming his mixes all day at work ).

    Fantastic work man!

  15. Redoom says:

    He is a pretty big dude. thanks for rockin’ Houston a while ago and I hope you make your way back. Also check out his soundcloud ( I’ve been jamming his mixes all day at work ).

    Fantastic work man!

  16. ioflow says:

    he’s really a very nice dude! he borrowed my monome stand for the LA monomeet show, since he played after me, but it was still too short for him. but even hunched way over, he brings the great beats.

  17. ioflow says:

    he’s really a very nice dude! he borrowed my monome stand for the LA monomeet show, since he played after me, but it was still too short for him. but even hunched way over, he brings the great beats.

  18. ioflow says:

    he’s really a very nice dude! he borrowed my monome stand for the LA monomeet show, since he played after me, but it was still too short for him. but even hunched way over, he brings the great beats.

  19. logritm says:

    Hey guys if someone would like to try monome apps on a launchpad can check here what we are doing for the electronic community 🙂 http://www.sigabort.co/m4l_lp.html … We are able to run 7 apps together on a launchpad.. This interface support every kind of connection…and next week ..these interface will work on ipad ( lemur, touchosc & mira) .. Have fun 🙂

  20. logritm says:

    Hey guys if someone would like to try monome apps on a launchpad can check here what we are doing for the electronic community 🙂 http://www.sigabort.co/m4l_lp.html … We are able to run 7 apps together on a launchpad.. This interface support every kind of connection…and next week ..these interface will work on ipad ( lemur, touchosc & mira) .. Have fun 🙂

  21. logritm says:

    Hey guys if someone would like to try monome apps on a launchpad can check here what we are doing for the electronic community 🙂 http://www.sigabort.co/m4l_lp.html … We are able to run 7 apps together on a launchpad.. This interface support every kind of connection…and next week ..these interface will work on ipad ( lemur, touchosc & mira) .. Have fun 🙂

  22. anonymous says:

    I really don’t enjoy this guys stuff. Very unoriginal. It seems to me he just messed around with his tunes, no real composition or intent behind the music.

  23. anonymous says:

    I really don’t enjoy this guys stuff. Very unoriginal. It seems to me he just messed around with his tunes, no real composition or intent behind the music.

  24. anonymous says:

    I really don’t enjoy this guys stuff. Very unoriginal. It seems to me he just messed around with his tunes, no real composition or intent behind the music.

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