The business of live at Vegas’ LDI show, from global trends to espionage

Colin Keurheen - December 19, 2025

Absynth creator Brian Clevinger on synths, emotions, and “weird-ass ideas”

Peter Kirn - December 9, 2025

Alien resurrection: Absynth 6 delivers a powerful update to a futuristic classic

Peter Kirn - December 9, 2025

Guide: Creating instruments with Max for Live and Ableton DSP (pt. 3)

Peter Kirn - November 12, 2025

Data Knot for Max is machine learning as musicians want it: human-focused

Peter Kirn - October 23, 2025

Panel: liberating music technology for Arabic music and beyond

Peter Kirn - October 21, 2025

Guide: Create unique effects with Max for Live and Ableton DSP objects (pt. 2)

Peter Kirn - October 14, 2025

Tom Hall on Trip Computer, computer music on vinyl, and that “Max Sound”

David Abravanel - October 13, 2025

Support Filipino music and relief for Northern Cebu earthquake – let’s go

Peter Kirn - October 8, 2025

In 1975, BBC spelled out how MUZAK — and musical power – worked, maybe

Peter Kirn - October 3, 2025