chiral | documentation projection & paper sculpture | MOCA Taipei 2010 from Robert Seidel on Vimeo.

Three-dimensional digital imagery is itself a kind of sculpture, albeit in virtual form. Translated to the ephemeral light beamed from projector, the projections themselves become textures in physical space. Artist Robert Seidel uses that quality to exquisite effect in his work, as we saw last year in Vellum.” In his latest piece, “Chiral,” the sculptural condition of light pairs with real physical sculpture, produced from handmade Taiwanese paper. While calling upon a fluid rendition of Chinese calligraphy, the digital forms, too, evolve like folded paper.

Robert sends this description:

*Chiral* Documentation
06/15/2010 – 07/18/2010
Museum of Contemporary Art (Taipei, Taiwan)

Projection & Sculpture: Robert Seidel
Soundtrack: Richard Eigner

In “Chiral” cinematic etudes expand the two-dimensional image into space, refining ideas from Chinese calligraphy and abstract art into an evolving moving painting. They are projected on a sculpture and a screen made from handmade Taiwanese paper and there develop very different lives on configurations of the same material…

Full details on Robert’s site, and yes, there’s even wallpaper to download.

chiral | projection artwork | MOCA Taipei 2010 from Robert Seidel on Vimeo.

And in other news, a full length film entitled “Floating,” with music by Heiko Tippelt, is coming. We’ll be watching for this one.

7 responses to “Handmade Paper and Projections Combine, in Forms Digital and Tangible”

  1. Freakin awesome !

    wich software was used to create the graphics ?

    p5 ?

  2. naus3a says:

    a little bit OT, but are the video embeds using H.264? I really hate this new codec war.

  3. rs says:

    Software-wise it's a mixture of 3ds max and max-based scripting and tools to create a painterly look… please check my other work for different approaches in "moving paintings".

    H264-Video is handled by Vimeo, you could download a Quicktime from my website if you want.

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