musichat

It looks like what you’d want to wear if you were invited to a dinner party … with Sun Ra and his Arkestra.

It lights up and responds as though you’re about to guest star on a Japanese TV show about a trans-dimensional space princess.

But then… it starts making music. And the wild whimsy of the Chromehatic turns into a sultry set piece for a pitch-perfect performance by vocalist FEMME, celebrated London-based performer/producer.

As for the headpiece itself, it launches a line entitled SENSEries, pairing milliner/couture designer Jodie Cartman (whose work has shown up on the brow of Morcheeba with crewdson, aka London’s Hugh Jones, an instrument builder and musician.

Watch:

I love that the aesthetic of the headpiece, the interaction, the music, and the performance all fuse together. So, it’s a MIDI controller – it could be anything – but there’s a singular statement of style.

The video debuts on The 405, which sounds like the name of a California freeway, but is actually a UK culture site and event platform.

The Chromehatic: A wearable musical instrument by Jodie Cartman and Crewdson [405 Premiere]

A lot of “wearable tech” amounts to sewing a few LEDs in a jean jacket – not that there’s anything wrong with that, but it’s nice to see someone get the whole package together.

And Femme, by the way, seems to me a really talented singer.

#millinery on CDM … your move, next.

http://senseries.tumblr.com/

9 responses to “When Milliner, Musician Collaborate, You Get This Crazy Music Hat”

  1. Chris Stack says:

    Pretty sure at least half the people I know here in Asheville will want a hat like that 🙂

  2. Chris Stack says:

    Pretty sure at least half the people I know here in Asheville will want a hat like that 🙂

  3. Chris Stack says:

    Pretty sure at least half the people I know here in Asheville will want a hat like that 🙂

  4. Roikat says:

    I like it. It makes for a costume that multitasks between video and live shows quite well. The scale of the “headlights” and gestures works better for video or a small, low lit environment, but the foil top would compensate by looking spectacular under stage lights. It captures a little cool Metropolis robot/Cybermen vibe without excessively emulating that cliche Metropolis robot/Cybermen look.

  5. Roikat says:

    I like it. It makes for a costume that multitasks between video and live shows quite well. The scale of the “headlights” and gestures works better for video or a small, low lit environment, but the foil top would compensate by looking spectacular under stage lights. It captures a bit of cool Metropolis robot/Cybermen vibe without excessively emulating that cliche Metropolis robot/Cybermen look.

  6. Roikat says:

    I like it. It makes for a costume that multitasks between video and live shows quite well. The scale of the “headlights” and gestures works better for video or a small, low lit environment, but the foil top would compensate by looking spectacular under stage lights. It captures a bit of cool Metropolis robot/Cybermen vibe without excessively emulating that cliche Metropolis robot/Cybermen look.

  7. Jojo James says:

    This is cool, but it looks like after the music starts she’s not actually playing the melody that she started with, but is “finger synching” with the track. Not a bad thing, but perhaps misleading for a teaser that’s advertising an instrument.

  8. Jojo James says:

    This is cool, but it looks like after the music starts she’s not actually playing the melody that she started with, but is “finger synching” with the track. Not a bad thing, but perhaps misleading for a teaser that’s advertising an instrument.

  9. Jojo James says:

    This is cool, but it looks like after the music starts she’s not actually playing the melody that she started with, but is “finger synching” with the track. Not a bad thing, but perhaps misleading for a teaser that’s advertising an instrument.

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